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All hand-fans start out as a humble block of wood. We use a range of woods from beech and birch to luxury dark woods such as mongoy. A small block of wood is placed in a furnace to dry it out, making it amenable for step two.
This machine cuts the whole block into very fine pieces. These sheets are collectively pressed down with weight to avoid warping.
Before the pieces take on their final 'fan' shape, they are cut into more manageable rectangular shapes with a special tool.
This is where the rod of the rivet (pin) will pass at the end of the process.
The rectangular pieces are placed next to a block of wood with a surface that takes on the form of the hand-fan. When the sanding machine moves along this block, it polishes down the rectangular pieces so that they too take on the right shape.
This clever machine slices the top part of the sticks where the fabric will go so you are left with just the inner section. The fabric needs to pass and fold to the left and right of this section.
Possibly the most complicated part of fan-making is the mounting of the fabric. This part is done by a 'teledora' and must be done by hand. How the fabric is mounted depends on a lot of factors including the shape, size, style and number of sticks involved.
But one thing remains the same every time; the fabric is folded between two pieces of thick card, a kind of concertinaed mould, which gives the fabric the correct folds. This folded fabric (which keeps its shape due a pre-starching treatment) is then glued to the sticks and the excess trimmed away to leave a beautiful and neat little wonder.